Strength in Multiplicity

by Jessica Stickler |
April, 2026

~ Translation by Manorama

Śatākṣī, ‘the hundred-eyed’ form of Durga appeared to earth during a desolate era – she cried from every one of her eyes, her tears filled the rivers and oceans. Grass, grains, vegetation grew and with that the fish, birds, insects, and animals flourished.  She is spring emerging and abundance returning to the earth. Diversity in nature is its strength, eco-systems co-evolve together. Despite what we previously assumed about evolution, cooperation, reciprocity, multiplicity, interconnection, and adaptability (creativity) are predictors of success over individualistic strength. Her gift of life restored, the earth would again one day require her to defend it – just as a mother embodies both the energy of nourishment and protection.

Emerging from the sting and lash of the burning flames of a funeral pyre, the demon Mahiāsura emerges full of rage and on a mission of vengeance. The stench of smoke and death trails him as he amasses strength and power, raises an army. Having conquered all the world, his desire for domination turns to the heavenly realms, terrifying the gods. Forged in the fires of pure ambition, no single god can defeat him. The gods anxiously conference and gather their weapons. Assembling Indra’s thunderbolt of determination, courage, and power; Agnis spear; śiva’s trident that pierces through the veil of delusion; Viṣṇu’s cakra of righteous intent; the mace, also known as ‘ego-crusher’; Viśvakarmā’s ax, containing the power of creation and destruction simultaneously, Brahma’s lotus, a reminder of detachment and wisdom; Vayu dev, the wind, gifts a bow and arrow – energy and movement; Gaṇeśa’s sword, representing discernment (viveka). And finally, the conch, the sound of creation, OṀ. Durga is imbued all aspects of the gods including the cycle of creation, preservation, and destruction.

Durga arrives to battle wearing red, the color of action, riding the lion of courage. Mahiṣāsura, blind with ambition, underestimates the goddess’ power. He is transfixed by her outward appearance, her beauty. His arrogance and assumptions about power, strength, cultural roles, and hierarchy will ultimately cause his demise. Durga’s multifaceted and dynamic collective strengths outshine the demon’s arrogance, ambition, egoic power. This epic battle and the demon’s defeat restore order and balance to the universe. “Durga portrays the divinity that stands outside the so-called civilized order of established dharma, and can by found only by one who has the courage to step out of the orderly world as we know it.” – Vanamali, Shakti

As adrienne maree brown writes in Emergent Strategy, “It is so important that we fight for our future, get into the game, get dirty, get experimental. How do we create and proliferate a compelling vision of economies and ecologies that center humans and the natural world over the accumulation of material?” Durga invites us to look for and assemble our various collective strengths, this moment requires reimagining and responding collectively and creatively to the multiple ongoinng threats – a climate crisis, multiple human rights crises, etc. Like Durga (and nature herself), our power exists collectively and has many forms, what are my strengths – and what strengths have I yet to recognize in my myself as well as my neighbors and friends. Change never comes as one instance, one flashpoint, one action. Change comes through working multiple ongoing actions, communities working together and in parallel to all serve the common aim. When we speak of individual activists, like Rosa Parks, or Angela Davis, Julia Butterfly Hill, or Greta Thungberg, we may unintentionally forget the fact that each hero we name had a multitude of organizations, support, tools, and networks working with and around them. “Where there is profound injustice, there is also creative struggle.” – Mariame Kaba

The navadurga, the nine aspects of the goddess represent the path of the spiritual seeker towards liberation itself; she is the goddess of inspiration, Śailaputrī;  of patience, Brahmacāriṇī; dedicated practice Candraghaṇṭā; expansion/creative energy, Kuṣmāṇḍā; purification Skandamātā; courage and energy tyāyanī, discernment Kālarātri, contentment, Mahāgaurī; liberation and ultimate realization, Siddhidātrī. Transformation is not instantaneous. The practice unfolds through stages, requiring different skills, energies, and qualities over time. We might even reveal or discover attributes/strengths in ourselves through, and in service of, our spiritual practice or in our community work. As practitioners and activists we may, at different times need energy, rest, persistence, discernment, simplicity, or creativity to propel us forward on the path.

Teaching Tips

CHANT

सर्वमङ्गलमाङ्गल्ये शिवे सर्वार्थसाधिके ।
शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥
sarvamaṅgalamāṅgalye śive sarvārthasādhike
śaraṇye tryambake gauri nārāyaṇi namostu te

The goddess is the world itself, the cycle of the seasons, the birth and death of worlds. I have noticed that we often pay far more attention to detail coming IN to an āsana, as teachers we even put more attention and energy into bringing students into the āsana. Let’s challenge ourselves to stay present – tuned deeply in to the experience as we were coming OUT of an āsana, the dissolution. What is it like to experience each āsana as an OM cycle, staying fully present coming in, maintaining, and then resolving the shape.

ASANA & VINYASA

  • Teach warrior themed āsanas, vīrabhadrāsana, vīrāsana, as well as siṁhāsana (for Durga’s courage). Include some strengthening work, perhaps something unusual or suprising that reveals a new area of strength, or work on preparation from a different/new approach
  • Explore partner work, or group supported asana. Partner work can build connection, trust, and communication and when done well it can enhance the experience of the āsana beyond what one might experience on one’s own.
  • Teach vinyasa. Teaching and practicing strict vinyasa gives us the direct experience of staying present through the unfolding sequence of time. Can you teach the students to guide themselves in vinyasa, meaning – they are competent in linking breath and movement and counting, or keeping time in some way (could use music for this) in their own minds as they move and breath. Explore teaching and practicing other parts of the class as a strict vinyasa; not limiting the practice to surya namaskar!

क्षणप्रतियोगी परिणामापरान्त निर्ग्राह्यः क्रमः ॥३३॥
kṣaṇapratiyogī pariāmāparāntanirgrāhyaḥ kramaḥ

NADA & TEACHING

  • Nāda yoga is integral to goddess/shakti devotion – since shakti is the emergence of primordial vibration itself. Medating on sound or other nāda yoga practices are encouraged.
  • One component of nāda that is integral to how we teach is the instruction itself – how we give and receive instruction matters! We live in a time of information overload, misleading headlines, outright disinformation, and propaganda – which the emergence of ai threatens to make much worse. How do we stay in touch with what is actually real? One way we can practice both a) discernment and b) activation is through how we work with instruction. When we hear the teacher’s cue, we can check in and see if what’s being said is actually occurring and true. Is my foot actually pointing the way it was said, or do I just assume its happening? Is my leg actually straight, or did I tune out the instruction or decide it wasn’t worth grabbing my blocks to make it happen? To listen, hear, observe, and then take action is yoga, defined by the Bhagavad Gita as ‘skill in action.’ It reinforces a sense of agency, actions create results. Inaction creates no result or even a bad result. For this reason, vague language can be confusing – “find your hands on the floor” is misleading! How did they get there? They were not found there, you placed them. Strive for direct instruction, and direct clear action.